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RINI somewhat honors the vocal stylings of 112’s lead vocalist Slim on “Craving.” The delectable tune, recorded during some of the album’s final sessions, was produced by George Moore, who he met at Warner Records headquarters. How cool would that be to incorporate that into a song kind of make it my own change the words a little bit but pay homage to the original.” I heard that Floetry melody in my head just repeating. “I remember we were in the studio, and I was playing that chord progression we had for that song. He’s engulfed with “Butterflies” on a nostalgic trip adorned in a hazy baseline, and sweet croons reminiscent of Floetry’s sensual classic “Say Yes.” While a big fan of the UK duo, RINI says it wasn’t his intention to borrow from their most recognizable career moment. I haven’t met Maeta personally, but she heard the song and she loved it. “It kind of turns into a male-female conversation, which made the song really cool. “I had my original verse as her verse, and I had to rewrite that for her,” RINI notes. He’s very musical a very talented guy,” says RINI on why he chose Cajili to assume the EP role.įeatures on the album include Wale and Maeta, whose vocals were added after it was made available on streaming services.
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“When we record, he just knows how to capture the best parts of my vocals, and he helps me out with harmonies. It was executive produced by his longtime friend and collaborator Aldwin Cajili, who also RINI leaned on for multiple jobs on the LP. Constellations marked his major-label release as his first two projects were issued independently. He was also the person who got RINI acclimated to life in North America.įast forward to 2021, RINI’s next big project arrived this fall. Subsequently, a friend got him in touch with his current manager Bobby Jack Cousteau, who facilitated his Warner Records deal. Without going into much detail, RINI said the deal fell through. Love Renaissance (LVRN), powered by Interscope Records, caught wind of him through his YouTube covers and flew him out to Atlanta. However, his current label home wasn’t the first record company interested in him. In 2019, after signing to Warner Records, RINI moved out to Los Angeles. So, always staying true to your writing is the key for me.” “People get touched by the sound and the words. “Knowing that people are able to connect with on a deeper level is what made me realize this is really what’s going to make a change,” he realizes. After that, he knew it was the right move to take his career to the next level and touch more lives. RINI improved his songwriting in different ways, including lending his ear to current songs that spoke to relatable topics. Now that’s one of my biggest mainstream songs today,” he says. Honestly, I wrote that song in 15-20 minutes.
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‘My Favorite Clothes’ was an actual thing that happened to me. “The easiest way for me to write is writing something that I’ve experienced in my life - something true like a breakup. He would later get even more opportunities to let it rip when he embarked on his self-titled project.
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“So we were exchanging information and knowledge about playing.” He got the shot to put those skills into practice when he played for his church. “I had friends who were playing guitar too at that time,” he explains. He paid attention to those in his circle of friends. Since his time was limited at the classical school, RINI taught himself how to play guitar. One day, RINI came across a “really cool Stratocaster” that he remembers going under the name “Nevada.” After giving it a few strums, his dad saw how RINI lit up with each pluck and eventually purchased him an acoustic one. His dad would bring home instruments like guitars from an offshore job and store them out of sight. His enjoyment of the guitar came when he latched onto rock jams by Bon Jovi, The Eagles, and Queen. I did not learn anything because you have to read sheet music, and I’m really bad at that.” Thinking back to this brief stint, RINI says, “I didn’t find any interest in that. His dad signed him up for classical school, which he was enrolled in for less than six months. “I started playing off the guitar when I was 10-years-old,” he recalls. That’s basically what we listened to back at home.”īack home is where RINI sparked an interest in the guitar. Also, they love country music, blues rock. “Drill rap is kind of like what is popping right now in Australia. “The R&B scene in Melbourne is not that big,” he says. Although the music from the states reached his side of the world, mainly pop, he insists noise for R&B was at a minimum. RINI’s introduction to R&B was through those covers online.